Andy Dangerfield Music

Here are some of the reviews I've written for The Independent, Camden New Journal, Islington Tribune and West End Extra.

Monday, October 29, 2007

Villainous Vincent


Vincent Vincent and the Villains' unfathomably infectious blend of modern rock 'n' roll has so far been showcased in late-night London dives and on limited indie pressings, but - as with all good things - word is spreading fast. With a hardcore live following, ever-growing fanbase, and new abum out early next year, the band are set for big things in 2008. I caught up with their frontman, um, Vincent.

Where does the name come from?

I’m Vincent Vincent. We were originally called the Vincents but it seemed like there were a lot of bands with Vincent in their name. We wanted something that sticks in the head. Our name’s catchy and a bit weird.

Who's your favourite villain of all time?

Vincent Cassell always played good villains. I also liked Vincent Price.

Any non-Vincent villains you like?

Not really.

What makes you stand out from all the other trilby-wearing guitar bands who hit the Camden circuit?


Our music is heavily influenced by early rock’n’roll. Our song writing’s about all aspects of life and not the same old trite subjects you get from other bands. The sound we make is a real punk din. We take rock’n’roll and bastardise it into a modern sound.

Do you think other bands are too concerned about image?

A band’s image is the first thing people see so all bands are concerned about it. The trouble is when the image overtakes what a band does. That’s something you have to live with. But stay true to what you think sounds good and hopefully in the end even fickle people will come around to it.

Your music is influenced by 50s rock’n’roll. How did you get into that style of music?

When I grew up as a spotty teenager with no social life I used to rummage through my Dad’s vinyl collection. I got myself a record player and started going to record shops and discovering more and more rock’n’roll. There’s so much stuff out there, things always surprise you.

Who are your favourite 50s musicians?

Bo Diddley… Chuck Berry… too many to name.

What about Elvis?

Of course. He’s a massive influence. But It doesn’t help when his estate release all his singles. They’re not releasing his good songs. What about ‘I Beg Of You’ or ‘Treat Me Nice’?

So which Elvis songs are your faves?

‘(You’re So Square) Baby I Don’t Care’. I also like ‘Trouble’, because of the rag time jazz band kicking in.

Are you a fan of Happy Days?

No. I hate it. It was made in the 70s. The only reason I get asked that is because it was set in the 50s.

Some of your lyrics refer to dead end jobs. What’s the worst job you’ve had?

I used to work as a cinema attendant. I may as well have been a wooden dummy with a spike for people to put tickets on. Cleaning up the crap after people left wasn’t too great either. But there’s always romance in it. I did it to follow my dreams so it was a worthwhile experience and I got a good song out of it.

Former frontman Charlie Waller left to join The Rumble Strips. Are you mates with him now?

Yes. We fell out for a bit. It was traumatic time. We got to a stage where people began taking notice of the band and then we hit a brick wall.

What do you think of The Rumble Strips?

That’s a contentious question. Are you looking for a controversial answer?

Naturally

No, I like them. I think Charlie’s a great singer.

Where would you like to be in 10 years time?

I’d like to still be writing songs. I’d probably be too old to be a viable frontman but I’d like to still be writing and recording.

Why should people come to see you live?

Our performance exciting, adventurous and theatrical.

Friday, October 19, 2007

Does It Offend You, Yeah? Barfly, 8 October 2007


I went to this gig expecting to be offended. After all, the band describe their sound as like "an arcade machine being thrown into a lake".
Not the most appealing description.

A lot of bands have jumped on the Electro rock bandwagon after the success of Klaxons and the Rapture but don’t have the tunes to back up the hype.

But the Barfly was packed with teenagers keen to catch DIOYY on the final night of their 23-date tour.

Their opening number had a sleazy base-line reminiscent of Justice and I expected the crowd to nod along coolly but instead the New Rave fashioned kids transformed the front of the crowd into a mosh-pit.

The band launched into Doomed Now which mashes the fervent Bloc Party-esque guitar rhythms with Daft Punk-style robotic vocals. Impressive stuff.

Cheeky grinned front man Morgan grabbed a cowbell and bounced all over the sound equipment as wild-eyed parka-wearing bassist James wildly sweated it out for the catchy Battle Royale.

Morgan invited a DIOYY T-shirt wearing fan to join the band onstage. Taking this as the signal for a stage invasion, half the crowd had joined the band by the end for their final song, doing all they could to immerse themselves in the music. One guy went for it with a drum stick on a can of Stella while another crashed two beer crates together.

Morgan made the best exit I’ve ever seen at a gig, crowd surfing all the way from the stage to the back of the room and onto the bar.

Ok, so some bands jump on bandwagons and don’t deserve the publicity. But DIOYY deserve every bit of hype they get. They’re touring again in the spring. Go see them. It would be offensive not to.